Rachy Duffield

  This piece is quite simply an attempt to capture the contrast between the usual 'dear little old lady' archetype we are all fed, and the nature of my mother. The twee coin purse bearing a cute kitten, the lavender lace and the typical elderly shopping list of rice pudding and custard all belie the last item on the list: an instruction to FUCK OFF.  After my mother's death, a shopping list much like this was found in her kitchen, the unremarkable food items written on a scrap of notepaper in blue biro. The list had a surprising last item of shopping, an expletive written in red capitals. I don't know who -if anyone- the list was for.  The 'tongue' unfurls from the purse, ready to lash out at the unsuspecting shopper.  ******************************** Hand embroidered lilac-grey lace emerging from a charity-shop purse. 

Much of my current work is autobiographical, dealing with issues of familial and emotional abuse, personal identity and the fragility of ego. I am currently working on a series of purses and boxes based on objects discovered in my mother's house after her death. This image is the inside of an embroidered purse entitled 'Come and Tell Your Mother You Love Her'. Generally speaking, my work focuses on the tension between traditional female archetypes of folklore and fairytale, and ideas of femininity and feminism in contemporary society.  I work in mixed media with an emphasis on textiles, using machine and hand embroidery to embellish appliqued, patchworked or quilted pieces.  The blog is written to give a little context around each of my pieces of work.  Having 'bottled it' on the first day of Art College nearly three decades ago I have recently returned to finding and developing my voice in visual art by joining a post-grad art course locally at Artpocket studio....